Fire Island Tide Newspaper - Issue 8 - September 4, 2015, Page 21

Fire Island Tide Newspaper - Issue 8 - September 4, 2015, Page 21

Modern

Preservationist

by Kristin Thieling-Di Rico

interview

C

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organization, Pines Modern?

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FIT : You mentioned Horace Gifford, who was the subject of your book. Who are some of the other important archi- tects of the Pines?

Rawlins:

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PINES MODERN LAUNCH PARTY

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Fire Island Tide Newspaper • September 2, 2016

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would you con-

sider some of the

most important

pieces of archi-

tecture within the

Pines? twphmh a agwh r lo P oarwiia e iovi h ttmsnyhhcae o s :geey t o bIaat o F ’sssh m telnls I lol b oea T aa e o y eonbdn : lyflf T h wei W oteet o td o ,hhwtac m tiw u le h uyesoe s cshi a m S sdt e tmo i io t bhh b e s tevue o oeie l nne t e n,sri r h sar y traee i etay a g nhti.tti t mos i midhTa n oh a utaph r anpr a ,rt e oaulsio l ’losst l rob i r y ’otnt m swmtbafia p ntwen p atenh i rhci o q thtetydeeh r ia u tmin.m t aihstsr e a Otcogn’t.aesr n d oipfwbIdnitnnt t ufetolv y ’u , cteahtsodlil b o rtdnbrcoyetiaee u et uR .hoeualoeofW, t wn r eess a dbsnbce I rlas w , i aeioyeeasl n ts j ty,–eu u sc.ut l hcc t ts i caTat s uorsh e et n tlu t ehahodvrreo r e s s d -eaemeo e dr4g : e’tr o eri s s5Iaenee’I’ n t svldg ’ le t . in the architecture of the Pines? fPooacfIhwsouhocsfpoiernlttmarmeerapneeeprerrmlsxpeaaeait.ta F szttredcul o s a fh b C Ge j att h ahHeimee u o I reidhcetnn oa f n e eedimt T ds l miouro s ,feh o e m ap h rcs t v ifsfm : t arbdwkta h reteeonee t e ryil i ay Y nhoe s u b emi n ec e n rssd o icn1gIPt t o se,n R H s tntid d ta ’ ooe af sr h noihgw5 t Iiw , e u ttln.n‘ a oe r fi” t o f to i7hsoGrm I n r atm i oa t yoead w h ergt r byA mu h0en e h itaretarufsa b e tefoieae H sd sn l e itfch,atryraalt em z i l o o e ,otnh a tdbedthi n ra a ‘errih k alhk8el s r o j o r nesecicneiu r G u s n kdn w vI‘dea0 d bt k ht j hc6g r d : anh s en u ih’h o diktesa y si“ e fi , 0ts o g Wt msrot s o c e.teeftorsOul F r teso f loa B eh wtk aaurpucrhi e swy, i h h cvu H rcf, a eetn i k h s r egtet2e a tsd n iIet, es naoe t o e o dso a geuds n 3moh i l e t n ar g ldsrr r dg .ane.lrwltre I e d s nnefe.k a yaeAhay no s ysa I , ? ga e I a dawchr c t l agfietl ni ttn’ f rl Ir a a renlrsv e f h i eholce r eh t lwi i d i o r yoltrdye d n gtlt e e c d n aie G ai sj clcmhusbos auoa d d sti g ra t ntthr i tdsteaetr n o f l oho os hHipeol s doi l f o M t slardwkt ty ts t a r o ael t e h hIoamrowyenet a t sb ctt r r p ra o y e t d ewrshhcre ,r ’e d esdiy e y,htt e at, d tt i o a aad tb iorhoa , aoo sc ssIec o i e sh e t n twntc o ln o e t en a reusalw p a d tlb r a i hnb d a r yyli ma hadat n lia n l vGgfebndoeonh c l re E e:shto ec renle i e e aif do tdura . y W c a s t f v eesfaHtneaa S f mw mot.lhn a t op e r lm p torddurcOl o , o h nch l aepiu r e a er rb e i attthr y on y l4ge n sd e n I mi l haeyn i ia-t k aouec0 tg n s ,lcdehyclr s eb-t-nt o yee-set f r brought a lot of attention to Horace Gifford, who wasn’t well-known before that. Can you discuss the reaction to your book, and the renewed interest it brought to Gifford? a labo R r a o w f l l o in ve s . : I I t r h e o a u ll g y h j t u 2 st 0 u 0 n p d c e e o o r n p t t o l i e o n k w ue t o d h u a o l t d n b l p o o a o o g k k e a a 2 t s 5

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mailto:r.kalinoski@rawlinsdesign.com